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dc.creatorSaravia Vargas, Juan Carloses_ES
dc.date.accessioned2012-11-08T21:43:40Zes_ES
dc.date.available2012-11-08T21:43:40Zes_ES
dc.date.issued2012-06es_ES
dc.identifier.issn1659-1933es_ES
dc.identifier.urihttp://hdl.handle.net/10669/753es_ES
dc.description.abstractReaders who approach the Theater of the Absurd face complex interpretive problems. The style of Harold Pinter, the laureate British playwright, adds an additional difficulty due to his particular use of language. His plays The Caretaker and The Dumb Waiter show how speech is overshadowed by silence, which provides a more direct access to the tortured psyche of characters.es_ES
dc.description.sponsorshipUniversidad de Costa Ricaes_ES
dc.language.isoen_USes_ES
dc.publisherRevista de Lenguas Modernas, número 16es_ES
dc.subjectTheater of the Absurden
dc.subjectHarold Pinteren
dc.subjectSilenceen
dc.subjectDialogen
dc.subjectPlaysen
dc.subjectInterpretationen
dc.subjectThe Caretakeren
dc.subjectThe Dumb Waiteren
dc.titleTacit Significance, Explicit Irrelevance: The Use of Language and Silence in The Caretaker and The Dumb Waiteren
dc.typeinfo:eu-repo/semantics/preprintes_ES
dc.typePreprintes_ES
dc.description.procedenceUCR::Vicerrectoría de Docencia::Artes y Letras::Facultad de Letras::Escuela de Lenguas Modernases_ES


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