La palabra y el aire: Conjuros del alba de Jorge Chen-Sham
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Sanabria Sing, Carolina
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Abstract
El presente artículo analiza el segundo poemario de Jorge Chen-Sham, Conjuros del alba, a la luz de la vinculación directa con el libro anterior, Nocturnos de mar inacabada. Destaca los elementos que guían la lectura de un trabajo muy estructurado porque la organización en ejes temáticos permite brindar una clave de lectura. En este caso la articulación está dada por la invocación de la palabra en su acepción divina como creadora de realidad bajo la forma de conjuros –y en sintonía estructural y lingüística con el discurso bíblico arcaizante, pero sin ceñirse por completo en virtud del carácter pagano de estos–. Pero los alcances de la palabra no se limitan a esta dimensión, puesto que el hablante lírico hace ver también su injerencia como mediador del deseo. Y si el poeta por principio lo que busca es la elevación de su espíritu, se mueve necesariamente en el ámbito del aire –que es el mismo elemento al que pertenece el alba–, donde las cosmogonías ubican el origen del mundo.
This text analyses the second collection of poems written by Jorge Chen-Sham, Conjuros del Alba and its link to his first book of poems, Nocturnos de mar inacabada. This article emphasizes the elements that lead the reading of a piece of work that is well-structured since it is organized in topics, what brings about a clue to its reading. The articulacy is promoted by the invocation of the divine word, that in this case is a reality creator, under the disguised of spells--and also in linguistic and structural tune with the archaic biblical discourse. Nevertheless, it is not completely biblical since the poems end up to be pagan. But the magnitude of the word does not circumscribe to this dimension, since the liric speaker shows its intervention as s desire's mediator. And if by definition what the poet looks for is his spirit' elevation, it will necessarily move in The air's territory which is the same element to which dawns belongs to, and where cosmogony locates the Origen of the world.
This text analyses the second collection of poems written by Jorge Chen-Sham, Conjuros del Alba and its link to his first book of poems, Nocturnos de mar inacabada. This article emphasizes the elements that lead the reading of a piece of work that is well-structured since it is organized in topics, what brings about a clue to its reading. The articulacy is promoted by the invocation of the divine word, that in this case is a reality creator, under the disguised of spells--and also in linguistic and structural tune with the archaic biblical discourse. Nevertheless, it is not completely biblical since the poems end up to be pagan. But the magnitude of the word does not circumscribe to this dimension, since the liric speaker shows its intervention as s desire's mediator. And if by definition what the poet looks for is his spirit' elevation, it will necessarily move in The air's territory which is the same element to which dawns belongs to, and where cosmogony locates the Origen of the world.
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Creación, Verso, Poesía, Espiritualismo, Magia, Creative writing, Verse, Poetry, Spiritualism, Magic, 808.819 Poesía que presenta características específicas
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https://revistas.ucr.ac.cr/index.php/humanidades/article/view/26744