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dc.creatorSaravia Vargas, Juan Carlos
dc.creatorSaravia Vargas, José Roberto
dc.date.accessioned2011-10-01T21:58:05Z
dc.date.available2011-10-01T21:58:05Z
dc.date.issued2010-01
dc.identifier.citationhttp://www.latindex.ucr.ac.cr/mod003-01.php
dc.identifier.issn1659-1933
dc.identifier.urihttps://hdl.handle.net/10669/530
dc.description.abstractAlthough the concept of hegemonic masculinity was defined more than two decades ago, failure to consider the significance of cultural differences in the construction of maleness has led contemporary critics to misinterpret the Japanese vision of hegemonic masculinity. This analysis of the most significant male characters in the movie Shall We DANSU? highlights the cultural components that shape the represented masculinities and shows how the movie criticizes Western compulsive masculinity discourse defined by Charlebois.es_ES
dc.language.isoen_USes_ES
dc.publisherRevista de Lenguas Modernas, n. 12, 2010es_ES
dc.subjectMasculinityen
dc.subjectSocietyen
dc.subjectGenderen
dc.subjectJapanese cultureen
dc.subjectMoviesen
dc.titleThe Culture-bound Hierarchy of Manhood: An Overview of Hegemonic Masculinity and Subordinate Male Figures in Shall We DANSU?en
dc.typeartículo científico
dc.description.procedenceUCR::Vicerrectoría de Docencia::Artes y Letras::Facultad de Letras::Escuela de Lenguas Modernases_ES


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