Poéticas virtuales de resistencia desde el teatro independiente en diversas latitudes latinoamericanas
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Abstract
Este texto constituye una reflexión sobre cómo se llevan a cabo los procesos creativos a través de una mirada crítica con la que se cuestionan las características de la escena teatral actual, por lo que uno de los principales cuestionamientos que aquí se intenta explorar es la virtualidad de los proyectos escénicos a partir de la pandemia por COVID-19, así como la labor de quienes se dedican al teatro para mantener un diálogo con el público en el periodo de pandemia utilizando los recursos con los que se contaba.
This text reflects on how creative processes are realized through a critical view that questions the characteristics of the current theater scene. Thus, one of the main points of discussion explored here revolves around virtuality in stage projects since the COVID-19 pandemic, as well as the effort that people in theater have put into maintaining a dialogue with the public during the pandemic period while using the resources that they had access to.
This text reflects on how creative processes are realized through a critical view that questions the characteristics of the current theater scene. Thus, one of the main points of discussion explored here revolves around virtuality in stage projects since the COVID-19 pandemic, as well as the effort that people in theater have put into maintaining a dialogue with the public during the pandemic period while using the resources that they had access to.
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Keywords
virtualidad, resistencia, micropoéticas, teatro independiente, virtuality, resistance, micropoetry, independent theatre