Entre la conciencia y la acción: la constitución de subjetividad a partir de imágenes en el pensamiento de Husserl
Fecha
2020
Tipo
tesis de maestría
Autores
Pérez Porras, William
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Resumen
En esta investigación se aborda la pregunta de cómo constituyen subjetividad las imágenes desde una perspectiva husserliana.
En el primer capítulo se estudian los mecanismos a través de los cuales las imágenes son aprehendidas por la subjetividad trascendental y, más en específico, las relaciones entre la modalidad de la conciencia llamada por Husserl “conciencia de imagen” y la percepción. Se concluye que las imágenes poseen la capacidad de demarcarse de los dictados perceptivos y, por lo tanto, que ver una imagen es más que percibirla.
En el segundo capítulo se pone a la conciencia de imagen en coordinación con la lógica trascendental husserliana. Se determina que el sentido donado a las imágenes consiste en la posibilidad de experiencia de aquello que estas hacen visible mediante la intervención corporal. A través del estudio de casos provenientes de la ciencia, el arte, la política y otros, se determinan tres componentes de la subjetividad constituida por las imágenes: cuerpo, acción y futuro.
Finalmente, el tercer capítulo está dedicado a la sistematización de los resultados encontrados en los dos capítulos previos mediante la ontología husserliana del mundo de la vida. Dado que en la investigación se accede a las imágenes desde la óptica de la subjetividad trascendental, pero sus resultados apuntan más bien hacia una subjetividad constituida en los órdenes culturales, se acude a las consideraciones hechas por Husserl en lo que atañe a la vida social y cotidiana. Al hacer esto, se concluye que cuerpo, acción y futuro y, por tanto, la subjetividad constituida por imágenes, se manifiesta y articula como arreglos de personas, praxis e historia en el mundo de la vida.
The following dissertation addresses the question of how do images constitute subjectivity from a Husserlian point of view. In the first chapter, I study the apprehension of images fulfilled by the transcendental subjectivity and, more specifically, the relationship between perception and the mode of consciousness called by Husserl “image consciousness”. I claim that images have the capability of detaching themselves from the dictations of perception and, therefore, seeing an image is more than perceiving it. In the second chapter, I address the sense bestowed upon images by investigating the relationships between image consciousness and Husserl’s transcendental logic. Through the logical notion of possibility, I argue that the sense bestowal is based upon the possibility of experiencing that which images render visible by means of corporeal mediations. By exploring cases from science, art, politics, and others, I determine the three main features of the subjectivity constituted by images, i.e. body, action, and future. Finally, the third chapter consists in a systematization of the results of the previous chapters in the light of Husserlian life-world ontology. Given that my initial approach to images is performed through a transcendental scope, but the results point towards a subjectivity that is constituted within cultural orders, an examination of Husserl’s considerations on social and quotidian life becomes necessary. By doing so, I determine that body, action, and future, and hence the subjectivity constituted by images, manifest and articulate in the life-world as arrays of persons, praxes, and history.
The following dissertation addresses the question of how do images constitute subjectivity from a Husserlian point of view. In the first chapter, I study the apprehension of images fulfilled by the transcendental subjectivity and, more specifically, the relationship between perception and the mode of consciousness called by Husserl “image consciousness”. I claim that images have the capability of detaching themselves from the dictations of perception and, therefore, seeing an image is more than perceiving it. In the second chapter, I address the sense bestowed upon images by investigating the relationships between image consciousness and Husserl’s transcendental logic. Through the logical notion of possibility, I argue that the sense bestowal is based upon the possibility of experiencing that which images render visible by means of corporeal mediations. By exploring cases from science, art, politics, and others, I determine the three main features of the subjectivity constituted by images, i.e. body, action, and future. Finally, the third chapter consists in a systematization of the results of the previous chapters in the light of Husserlian life-world ontology. Given that my initial approach to images is performed through a transcendental scope, but the results point towards a subjectivity that is constituted within cultural orders, an examination of Husserl’s considerations on social and quotidian life becomes necessary. By doing so, I determine that body, action, and future, and hence the subjectivity constituted by images, manifest and articulate in the life-world as arrays of persons, praxes, and history.
Descripción
Palabras clave
image, Husserl, phenomenology, subjectivity, imagen, fenomenología, subjetividad